Showing posts with label Los Angeles. Show all posts
Showing posts with label Los Angeles. Show all posts

2014: Year in Review

As we now plan for our fifth season, Artists at Play will continue to present shows created by Asian American artists, stories of those underrepresented in Los Angeles theatre. Won't you make an online tax-deductible donation to join us in our mission? 

At the start of the new year, Artists at Play will host a January kick-off event and announce our next mainstage production. Along with the spring readings and summer fundraiser, our 2015 season will include a partnership with Center Theatre Group, plus some other events in the works. And as a new board member of the Consortium of Asian American Theaters and Artists, we will be working on a national level to improve diversity and inclusion in American theatre.

We hope you will help Artists at Play in 2015 with a tax-deductible donation, making you our partner in curating quality theatre in Los Angeles.



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In 2014, Artists at Play was able to contribute to Los Angeles theatre with various readings and our fourth L.A. premiere production. Here’s a recap of the year…



In the spring, we shared with you two new plays as part of the Artists at Play Readings: She Kills Monsters: Adventurer's Edition by Qui Nguyen, a fun new version of an already published/produced work, along with the still-in-development Marabella by local playwright Boni B. Alvarez.



In the summer, we had a special benefit reading of The Parisian Woman by Beau Willimon (creator/executive producer of House of Cards). Hosted by Randy and Mari Tamura, the event featured Francois Chau, Amy Hill, Tamlyn Tomita and Trieu Tran. Attendees loved the diverse casting of a mainstream play, and those who saw the production at South Coast Repertory remarked how they preferred our cast!



In the fall, we produced the Los Angeles premiere of 99 Histories by the writer Julia Cho (not to be confused with founding member Julia Cho, who starred in the production). We were honored to present the "homecoming" for this play, which is set in Los Angeles and written 10 years ago.
 


This year, Artists at Play attended the Theatre Communications Group (TCG) national conference in San Diego as well as the 4th National Asian American Theater Festival & Conference in Philadelphia. Expanding on our local theatre presence, we are proud of our recent appointment to the board of the Consortium of Asian American Theaters and Artists and excited to help organize the next gathering of Asian American theatre professionals in 2016!

Artists at Play will continue to build upon the artistic quality and diversity of our past shows: Ching Chong Chinaman by Lauren Yee, Edith Can Shoot Things and Hit Them by A. Rey Pamatmat, Cowboy Versus Samurai by Michael Golamco, and our most recent production, 99 Histories. You can offer your support here or here.

Thank you for another great season, and here's to 2015!

99 HISTORIES: Indiegogo

Help Artists at Play bring 99 Histories to Los Angeles! Through our Indiegogo campaign, we have until Friday, July 25 to raise $7,000.

See our progress on the right? Click on the image to go to our Indiegogo page. We invite you to watch our video and check out the perks that we're offering. And through our fiscal sponsor Fractured Atlas, DONATIONS ARE TAX-DEDUCTIBLE

Please consider contributing and/or sharing our project! For a direct link to our Indiegogo page: http://igg.me/at/AAP99H 

To view and share our video via YouTube, click below or right here.

We cannot do this without your support and look forward to sharing 99 Histories with you in September. Thank you in advance!

Artists at Play Holiday Party: Making Spirits Bright

Artists at Play invites you to our first ever HOLIDAY PARTY!

In our third year, Artists at Play introduced a new reading series in the spring and in the fall presented another Los Angeles premiere, Cowboy Versus Samurai. So come one, come all as we celebrate the end of the season with the music, dancing and spirits. And by spirits, we mean both the boozy AND holiday kind! The evening will include a cash bar, plus festive drinks and snacks. We'll have yuletide-inspired shots, cocktails and photo ops as we spend the night MAKING SPIRITS BRIGHT. So come jingle (and mingle) all the way into the wee hours. For those who came to see our last show, we'll be back at Inner-City Arts partying it up in our own little winter wonderland!

Saturday, December 14
8:00 pm – 12:00 am
$20 AT THE DOOR


Inner-City Arts 
720 Kohler St
Los Angeles, CA
www.inner-cityarts.org

RSVP and share this event. Invite your friends. Bring them to the party. Make new friends!

EDITH nominated for Ovation Award

2013 Ovation Awards Nominees — South by Southeast


Artists at Play is proud to announce that the cast of our 2012 production Edith Can Shoot Things and Hit Them has been nominated for an Ovation Award in the category of Acting Ensemble in a Play!

Since 1989, the LA Stage Alliance Ovation Awards have recognized "excellence in theatrical performance, production and design in the Greater Los Angeles area." Judged by Ovation Voters, our peers in the theatre community, our Edith was Ovation Recommended near the end of its run last year. In addition to our GLAAD nomination for Outstanding Los Angeles Theater, we are thrilled by this new honor.

We extend our gratitude and congratulations to the entire Edith team, especially our actors Amielynn Abellera ("Edith"), Brian Hostenske ("Benji"), Rodney To ("Kenny") and director Jennifer Chang.  Without them and our supporters, we would not have been able to bring Edith to life.

Currently gearing up for tech rehearsals, we cannot wait to share our latest production with you... the Los Angeles premiere of Cowboy Versus Samurai, which opens September 28. Stay in touch with Artists at Play through this blog, Facebook, or Twitter, and we'll see you at the theatre!

$10 Tickets for COWBOY VERSUS SAMURAI

Cowboy Versus Samurai graphic


Special early-bird tickets are available for the Los Angeles premiere of Cowboy Versus Samurai opening September 28

Ten (10) seats per performance are available for $10 each. So act fast because they won't last long! The early-bird special ends on August 29 or when they sell out, whichever comes first.

Remember the early bird gets the worm (or the tickets)! Click here to buy yours now: bit.ly/AAPCvsS

COWBOY VERSUS SAMURAI: Indiegogo

To help fund the upcoming fall production of Cowboy Versus Samurai, Artists at Play has launched an Indiegogo campaign! We have roughly TWO WEEKS TO REACH OUR GOAL of $6,500. We've raised our budget in order to accommodate our venue and elevated production elements. Not only that, but we've also challenged ourselves with a tighter schedule! Deadline is Friday, July 26.

See our progress on the right? Click on the image to go to our Indiegogo page. We invite you to watch our video and check out the rewards that we're offering. Something else that's new: Through our fiscal sponsor Fractured Atlas, DONATIONS ARE NOW TAX-DEDUCTIBLE. Please consider donating and/or sharing our project! 

For a direct link to our Indiegogo page, click here. (And make use their handy share tools!) To view & share our video via YouTube, click below or right here.

We simply cannot do this without your support. Thank you in advance!

Auditions for COWBOY VERSUS SAMURAI

Artists at Play will hold auditions for the roles listed below as part of their upcoming production, Cowboy Versus Samurai by Michael Golamco (Los Angeles premiere). Please send headshots/resumes to AAP.casting@gmail.com by Friday, July 5.  

Cowboy Versus Samurai
Producers: Julia Cho, Peter J. Kuo, Stefanie Wong Lau, Marie-Reine Velez 

Associate Producer: Nicholas Pilapil
Author: Michael Golamco
Director: Peter J. Kuo 

Contract: 99-Seat Theatre Equity Waiver 
Rehearsals: August - September 2013 
Previews: September 26 - 27, 2013 
Performances: September 28 - October 20, 2013
(w/ possible extension to October 27, 2013) 

Auditions: Saturday, July 13, 2013

Callbacks: Sunday, July 14, 2013


Auditions and callbacks will be held in Alhambra. Rehearsals will tentatively be held in Downtown L.A. Performances will take place at The Rosenthal Theater at Inner-City Arts.

Union and non-union actors eligible to submit.  To be considered for this project, email your headshot/ resume to AAP.casting@gmail.com. Submission deadline is Friday, July 5. Script is available at Samuel French.


SEEKING PRINCIPALS/ UNDERSTUDIES FOR FOLLOWING ROLES
:


TRAVIS  –  Korean American, mid 20s-early 30s. English teacher, earnest, closeted romantic.

CHESTER
  –  "Asian [American] of Unknown Origin," mid 20s-early 30s. Passionate, militant.


DEL  –  Caucasian, mid 20s-early 30s. P.E. teacher, dim, handsome.
Wyoming dialect a plus

VERONICA (UNDERSTUDY ONLY)  –  Korean American, mid 20s-early 30s. Sexy, nerdy, whip-smart.

Falling for Iggy Woo

A Conversation Between  
Director Rena Heinrich & Dramaturg Marie-Reine Velez



MARIE: Rena, thank you so much for being a part of this process for Alice Tuan’s Iggy Woo as the director for this reading. Before we started rehearsals for the Iggy Woo reading, what were you most looking forward to exploring in this process?

RENA: I was really looking forward to working with Alice. I knew of Alice's work but had never formally met her nor worked with her before. Then I read the play and loved it. Iggy Woo has a specific rhythm and tone, and I was looking forward to exploring this in a rehearsal process, to seeing and hearing it filtered through live bodies and seeing what that looked like. 

MARIE: Have there been any discoveries during rehearsal that have surprised you so far?

RENA: Alice leaves no stone unturned. Everything in the narrative is literally or metaphorically connected to something else. It's beautiful, gorgeous writing. She's written three movements (or acts)  inspired by No Doubt songs. At one point, I realized that there are No Doubt references sprinkled in the dialogue, and I had to smile. The play is like Alice. Playful and wickedly intelligent.

MARIE: I fully agree. There’s a specificity in the characters’ speech patterns and word choice that affects how the story moves forward--it constantly amazes me when those moments are revealed in rehearsal. What makes Iggy Woo stand out to you?

RENA: Iggy Woo is a bit Beckett meets Ionesco meets No Doubt. It has an absurdist, otherworldly quality that's grounded in a very real, modern day Los Angeles. It's about cravings and creativity amidst consumerism. But, at the end of the day, it's also a sweet love story about simply looking for that one person who gets you. Marie, I'm curious as to what drew you to the play? 

MARIE: As you mentioned, the play has a specific rhythm and tone--and I immediately fell in love with the language of the play, the exploration of the smoke break, the endless possibilities of the smoke break conversation and the bonds that form because of the five or ten minutes that smoke breakers give themselves throughout the day. Those five-to-ten minutes can be casual, intimate, cathartic, what have you; Alice really goes there. And that was my reaction to just the first movement! Her writing has a way of taking you on a journey of so many feels, laughs, surprises and revelations.

RENA: How did Artists at Play decide to pick Iggy for this event?

MARIE: We’re all very interested in Alice’s work, her voice is so strong and the play has a great sense of humor--witty, sarcastic and a little offbeat. We find ourselves more drawn to Asian American theatrical narratives that go beyond the identity crises on just an ethnic/cultural level, but who we are as humans living in today’s world. Factors like consumerism, pop culture, sexuality and social awkwardness are just as apparent as cultural identity is in our lives. What I find so funny is that some of the first notes Alice got when this play was shopped around was that it wasn’t “Asian American” enough, and I have three reactions to that: 
  1. yeah, sort of
  2. no, not really
  3. that’s BS 
I mean, what does that matter? Who's to say what's "Asian American"? Like other theatres and organizations, all of us with Artists at Play want to support new plays, and Iggy is a great fit with our sensibilities while also pushing the envelope on what theatre can explore. I can keep going, but we can continue this conversation at the readings on Sunday, either at the Q&A session after Iggy Woo, or at dinner before the reading of Three Steps Back by Peter J. Kuo!


Iggy Woo by Alice Tuan will be presented as part of Artists at Play’s reading series on Sunday, March 24th. Get your meal tickets now for dinner and hosted bar!

Photos: (1) Alice Tuan and Rena Heinrich in rehearsal; (2) Carla Vega, Justin Huen and Brittany Lau in rehearsal. Photos by Marie-Reine Velez.

Taking a Step Forward with Three Steps Back

A Conversation Between 
Director Skyler Gray & Dramaturg Kimberly Colburn


KIMBERLY: It's great to be working with you, Skyler. We've had a lot of conversations about THREE STEPS BACK with Peter already, but it's great to have a chance to hear your thoughts. I'm curious, what were your first impressions when you read the play? What drew you in?  

SKYLER: It really is great to get to work with you and Peter on THREE STEPS BACK. When I first read Peter's play I was struck by his use of perspective. You might have heard that the most exciting parts of some plays happen offstage.  

KIMBERLY: Like in ancient Greek plays. 

SKYLER: Right! I love how Peter has turned that idea upside down and shown this story from three different angles. I found myself entranced with finding clues from one act that came to fruition in the following acts. I was also struck by Peter's ability to create revelations that surprised both me and the characters within his play through exciting plot twists.  It really is a play that keeps you guessing what will happen next. 

KIMBERLY: I agree, the structure of this play is unexpected--it's three acts, but the action isn't continuous. Each act covers the same period of time, but in a different location. I love the puzzle of putting the pieces together, and I think audiences will really respond to the challenge of figuring out how the characters relate to one another. It will be a challenge for you, as a director, to help communicate some complicated twists and turns with only a short rehearsal period and with actors confined to music stands. Peter is also a director--what's it like to work with a playwright who's also got a directing background?  

SKYLER It is a short rehearsal period isn't it?  I bet the Broadway production of Noises Off had a bit more time to fine tune all the entrances and exits.  Game on!  Peter is indeed a man of many talents.  I am finding that Peter's keen eye as a director only strengthens his work as a playwright.  Throughout the piece Peter has dropped clues about the way the staging works in his mind.  As a director, this is very helpful as I am able to piece together the playwright's intent and fill in the blanks along the way. The playwright is setting pen to paper and it is my job to bring that to life. 

KIMBERLY: Plus, this cast looks pretty great.  

SKYLER: They really do.  I hear they are pretty talented too. 

KIMBERLY: It's exciting to have so many talented people gathering together. I'm glad to get a chance to play with Artists at Play. This is a great play to help kick off their new reading series (along with Alice Tuan's IGGY WOO)--smart and funny but complicated. There's a lot of interesting themes Peter's grappling with: a dysfunctional family, a teenage girl exploring religion, parents navigating the balance of their own needs versus the needs of their offspring.  

SKYLER This play really does pack quite the punch. I am excited that we get to not only work on this play with Artists at Play, but we get a chance to work together again. This play also takes me back home as it is set in Fresno, which is where I was born and raised. 

KIMBERLY: That's right! You've got the Fresno connection! And just like you, many of these characters are trying to find their way OUT of Fresno.  

SKYLER: I mean, once you leave Fresno, the only thing left to do is direct a play about Fresno. But in all seriousness, I can't wait to jump into rehearsals and work with Peter to make this play come to life.    

KIMBERLY: Me too. Only one more week until we've got an audience. 

SKYLER: In that case, people should stop reading this enthralling interview and buy their tickets now!


Three Steps Back by Peter J. Kuo will be presented as part of Artists at Play's reading series day on Sunday, March 24th.  Get your meal tickets now!

Artist at Play Readings


Two Plays, One Day

Artists at Play announces a day of two play readings
Alice Tuan's Iggy Woo
and
Peter J. Kuo's Three Steps Back

As part of our mission to present stories of underrepresented communities, Artists at Play is developing and showcasing two new works by Los Angeles-based writers.

When Artists at Play first came together, we knew we wanted to develop writers whose works we believe have great potential. This reading series serves as an opportunity to showcase these plays to the Los Angeles community. As a local theatre collective, we believe L.A. audiences deserve L.A. writers, and L.A. writers deserve an L.A. audience.

Artists from Los Angeles have unique voices that celebrate all the complexities that our city and its people have to offer. This is why we find these plays so dynamic, and we will feature work that intrigues and excites us.

The readings will be presented on Sunday, March 24th, at the Women's Club of South Pasadena. Iggy Woo will be presented at 3:30 p.m., and Three Steps Back at 6:30 p.m.

Each reading will be followed by a talkback, and a dinner reception with hosted bar will be served between the two readings.

Iggy Woo by Alice Tuan
Kiki loves Iggy. Iggy loves Julie the Cookie Girl. A play about unrequited love, quitting smoking and creating amidst consumption.

Three Steps Back by Peter J. Kuo
Richard attempts to leave his crazed wife with his lover and hyper-diabetic daughter, but fate has other plans. A three-part dark comedy from different perspectives.

An All-Day Pass for $18 includes access to pre-show snacks, dinner and hosted bar. A $13 Dinner Pass includes access to dinner and hosted bar. All readings are complimentary. (At the door prices will go up $5.)

Get your discounted tickets now!

EDITH nominated for GLAAD Media Award



Artists at Play is proud to announce that our production of Edith Can Shoot Things and Hit Them has been nominated for a GLAAD Media Award in the category of Outstanding Los Angeles Theater!

The GLAAD Media Awards recognize works for their "fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender community and the issues that affect their lives."  Just before the end of our run, our production was Ovation Recommended as voted upon by Los Angeles theatre professionals.  We are proud of that distinction and now this GLAAD nomination as well.

We extend our gratitude and congratulations to the cast, crew, and all of our supporters.  Without them, our work would not be made possible.  We are so proud of this show and it is truly an honor to be nominated. 

Thank you, and we look forward to what this new year has in store.  Stay in touch with Artists at Play through this blog, Facebook, or Twitter, and keep up to date on upcoming news and events!

Gratitude and Giving

Artists at Play had an amazing year because of you. Thank you for purchasing tickets, making financial contributions, volunteering hours, and giving us words of encouragement and votes of confidence, all of which propelled us through a successful 2012.

Our presentation of the Los Angeles premiere of Edith Can Shoot Things and Hit Them by A. Rey Pamatmat raised the bar of Artists at Play’s contribution to Los Angeles theatre. The show garnered an Ovation Recommendation (special recognition as one of the best plays running at the time), and critical-acclaim from LA Weekly, StageSceneLA.com and ArtsInLA.com. Audiences fell in love with the production and its story of family and first love.

As we embark on our third year, we hope you continue to support Artists at Play. Please consider a year-end tax-deductible donation to help us accomplish our mission of presenting shows curated by Asian American theatre professionals that tell the stories of communities underrepresented in Los Angeles theatre.

In 2013, we expand our programming to include new play development. Artists at Play founding member Peter J. Kuo will work on the next draft of his play Three Steps Back, in collaboration with a director and cast of actors. The new version will be presented publicly along with another to-be-determined play for a day of staged readings in the spring.

We are currently in the process of deciding on the play for our fall production. It will be another Los Angeles premiere by a rising Asian American playwright as our projects focus on cultivating the next generation of theatre artists and audience members. We will continue to build on the artistic quality and professionalism of our inaugural show Ching Chong Chinaman by Lauren Yee and sophomore production, Edith Can Shoot Things and Hit Them.

In the spirit of giving this holiday season, we hope you will help Artists at Play reach our goals in 2013 with an online tax-deductible donation. Your contribution makes you a partner in our mission to curate quality theatre in Los Angeles. Thank you for an awesome 2012, and we look forward to sharing the new year with you!


Happy Holidays from Artists at Play

Julia Cho, Peter J. Kuo, Stefanie Lau and Marie-Reine Velez

OVATION RECOMMENDED

It's official... Edith is now OVATION RECOMMENDED!!!


Our production of Edith Can Shoot Things and Hit Them (closing this weekend) has become Ovation Recommended, as voted by Los Angeles theatre professionals. This means that the Ovation voters consider our show to be in the top 15% of all productions this season!

Artists at Play would like to congratulate all members of the Edith team, including designers, cast and crew. We would like to thank LA Stage Alliance and everyone who has come out to see and support the show. Now we have the endorsement of the Los Angeles theatre community! Please help us share this exciting news and catch the show while you can. 


ONLY 3 PERFORMANCES LEFT!!!  This weekend, join us on Friday at 8pm, Saturday at 2pm or 8pm.  Purchase your tickets here: http://bit.ly/AAPEdith 



Raves and Reviews for EDITH

Edith Can Shoot Things and Hit Them is the "warm, sweet-tempered sophomore effort from new collective Artists at Play" with moments that LA Weekly describes as "authentic and delightful."  The show "keeps its audience on the edge of their seats" and is considered "as rewarding a theatrical experience as any audience can hope for" (StageSceneLA.com).  "Part comedy and part drama," according to Asians on Film, "this wonderful play firmly grounds itself with real characters and real issues to effortlessly pull both heartstrings and laughs."

Audiences continue to rave about the show; below are some their responses. 
"Witnessed brilliance last night. Congratulations to the entire team behind [Edith Can Shoot Things and Hit Them]. Gorgeous and moving work. Go!"
"OMG!!! Love seeing this amazing new way to see how we form families with love & laughter... A MUST SEE!" 

"Brave, touching, hilarious. I loved this show and I think you will too. Go see it."

"...a play that must be seen. Kudos to cast and crew for the beautiful work, and to Artists at Play for producing this amazing piece. I'm gonna see it again next week!!!" 

"...a MUST SEE. I see a lot of theater and this was the best thing I've seen all year. Funny, compelling. See it!"

"It's a play that not only takes risks in all of the right ways, but proves that really fantastic theatre exists in Los Angeles."

"I am so happy I saw this tonight. I can't stop thinking about it. Everyone who has the opportunity should see it. It's really that good."



"Edith Can Shoot Things and Hit Them... really hit ME.  I was a freakin' mess by the end... Terrific production, terrific play, man, oh man."

"If you live in Los Angeles and feel like seeing some seriously EXCELLENT theatre, don't miss this show!"

"...a sensitive and funny play about adolescent love and family relationships... the awkwardness of first love, made even more difficult because it's a coming out and acknowledgment of their own orientation between two gay teenage boys."

"a wonderful production! Definitely a must see in my book! Brilliant and inspiring."

"A great play with wonderful performances!! Bravo."

"This was an extraordinary play that addresses current situations that were once kept 'secret.'" 

"I had the extreme pleasure of seeing [Edith Can Shoot Things and Hit Them] tonight. If you live near LA, I HIGHLY recommend. It's funny, moving, and important.

"Don't know what I was expecting - but the production far exceeded my expectations.  The acting was superb, and the subject matter so surprising yet thought provoking.  I was really impressed." 

"a beautifully written play that is perfectly acted and directed. It's going to stay with me for a long time."
"...a very moving piece with a very strong cast. Please don't miss this production."